NOTE: In November of 1997, A new label, "Sea Of
Tunes" began releasing high-quality studio out-takes
from all of the early Beach Boys albums. Copied
onto digital video tape during the making of the An
American Band video in 1984, it took nearly 14
years before these tapes were bootlegged. Presented in
chronological order, with session dates and photos
appropriate to each album, these CD's are perhaps the
most important ever released for scholars and serious
fans of The Beach Boys. These reviews are
solely my opinion.
Unsurpassed Masters Vol. 13 (1965-66) The
Alternate "Pet Sound" Album, Vol.
1
Sea Of Tunes C
9835/36/37/38 [CD]; Released 1998
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CD Features
Include:
- Several alternate and
master takes of the entire Pet Sounds
album
- 3 takes of "Trombone
Dixie"
- 4 takes of "Pet Sounds"
- 7 takes of "You Still Believe
In Me"
- 5 takes of "Caroline No"
- 14 takes of "Wouldn't It Be
Nice"
- 5 takes of "Hang On To Your
Ego"
- 7 takes of "I Know There's
An Answer"
To view complete track list click
here.
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REVIEW:
The first of two box sets for the Pet
Sounds sessions, Vol. 13 continues in the fine
tradition of previous Sea of Tunes sets in sound and
content. For those who bought the Grammy-nominated
3-CD
Capitol set, and were left craving more, this
box is for you. With this set, it's easy to see
that the producers have judiciously edited these
sessions, offering complete tracking sets up to a point,
then switching to vocal sessions, so that a more
complete portrait of each song in development is offered
than was possible with the "Sessions" box. Disc
One contains an alternate version of the album, with
stereo and mono master takes, overdubs, and alternate
mixes, missing only the "Sloop
John B" sessions, (which were anthologized on the
last issue) but presented in clear, wide sonics.
Disc Two contains nine takes of "Trombone Dixie,"
tracking sessions for "Pet Sounds" and twenty
instrumental and additional vocal inserts and mixes of
"Wouldn't It Be Nice." Disc Three chronicles the
"You Still Believe in Me" sessions and also "Caroline,
No" (although there are no vocal tracks for the
latter). The fourth disc is interesting, with
first "Hang On To Your Ego" being cut, then Mike and Al
alternating tries at the vocal inserts to the re-write
of that song: "I Know There's An Answer."
Throughout the sessions, Brian is in complete control,
searching for the "feel" of the backing tracks and the
vocals until he's satisfied. A wonderful, filling
aural document of a seminal rock album.
Unsurpassed Masters Vol. 14 (1966) The
Alternate "Pet Sound" Album, Vol.
2
Sea Of Tunes
C 9839/40/41/42 [CD]; Released 1998
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CD Features
Include:
- 10 takes of "I Just Wasn't Made
For These Times"
- 5 takes of "That's Not
Me
- 16 takes of "God Only
Knows"
- 6 takes of "Don't Talk (Put
Your Head On My Shoulder)"
- 10 takes of "I'm Waiting For
The Day"
- 10 takes of "Here Today"
- An "Unknown Piano
Intermezzo"
- 6 takes of "Wonderful
K.O.M.A."
- 10 takes of "Caroline No Radio
Promo"
- Bonus in-studio party, and
more.
To view complete track list click
here.
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REVIEW:
The second set of tracks for the Pet
Sounds sessions continues with the tracking
sessions for "I Just Wasn't Made For These Times" and
"That's Not Me" on Disc One, "I'm Waiting For The Day"
and "Here Today" on Disc Two, "God Only Knows" and
"Don't Talk (Put Your Head On My Shoulder)" filling up
Disc Three. Disc Four is the kicker,
however: beginning with an "Unknown Piano
Intermezzo" (by Brian), its a slow, beautiful, rolling
piece (incomplete) that is reminiscent of "The Lonely
Sea" but with some surprising key changes that Brian is
still working out at this point. Following this,
we are treated to a pulled apart, then put together
full-harmony radio ad for "Wonderful K.O.M.A." then
Mike, Carl, and Brian variously run through several
radio spots promoting Brian's single "Caroline,
No". From here on, things get seriously
weird. First, Brian leads the Honeys through a
multi-tracked vocal runthrough of "Row, Row, Row Your
Boat" with Brian inserting a low, droning hum at the
last. nearly eight minutes of this song, repeated
over and over. Perhaps Brian was planning to tack
it onto part of another song, but here, the effect is
sheer stupor. Next is the most curious section
(for me): Brian leads some friends through some taped
joke-and-response routines, beginning with a dirty joke
that Brian thought up, (not funny) and then 'directing'
each participant how they should laugh, much like he
directs musicians how to play a line in a song.
Brian actually demonstrates to each person how he wants
them to laugh, seemingly trying to create a palette of
sound using laughter. I am curious whether this
was an off-the-cuff experiment, or whether Brian was
beginning his "humor" album that has been mentioned in
various biographies. Finally, we are given
seventeen minutes of a recorded snack party with Brian
leading word-association games. Although it's
interesting listening for a glimpse of his life, once is
about all you'll ever want to hear it.
The Live Box
(1965-1968) The Complete Michigan Concert Tapes and
More...
Sea Of Tunes
C 9843/44/45 [CD]; Released 1998
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CD Features
Include:
- Complete first show
recorded live at Michigan State University, Ann
Arbor on October 22nd, 1966.
- Radio Promo Spots recorded at
Columbia Studios
- Complete second show recorded
at Michigan State University October 22nd,
1966.
- 1968 London Rehearsals of "God
Only Knows" and "Good Vibrations"
- 1965 vocal overdubs for Chicago
show
- 1967 "Concert
Rehearsals"
To view complete track list click
here.
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REVIEW:
A superb box set, documenting two fine shows at
Michigan State on October 22nd, 1966 (one of which was
previously booted with poorer sound on Mike Love,
Not War), plus rehearsals for the 1968 London show,
vocal overdubs for a 1965 concert in Chicago, and the
faux-performance rehearsals for Lei'd In
Hawaii, which took place in Wally Heider's
Studio, in September of 1967. The two Michigan
shows are fine showcases for the band, with everyone is
good voice, Mike filling in the spaces between songs
with jokes and audience-pleasing chatter.
Following the show on Disc One, the producers have added
several fun radio spots, including both that have shown
up on the Endless
Harmony disc of 1998, and an extended
recording of Mike Love and Derek Taylor bantering back
and forth. The second show takes up most of disc
two, and tagged on the end are two wonderful
run-throughs ("God Only Knows", with Carl in fine voice,
and a confident "Good Vibrations"), from London.
Disc three is the real find, with Brian and the band
doing vocal overdubs for a Chicago concert that contains
the best playing I've ever heard from the band.
They rip through five songs (with repeats of Johnny B
Goode and I Get Around) with high enthusiasm and
ferocious playing. Honestly, it's the best early
live set I've heard, putting their 1964 Concert
album to shame. Finally, at the end of disc three,
we have the 1967 "Concert rehearsals" which were to make
up the Lei'd In Hawaii album. These
rehearsals, with all six members of the band, are
extremely laconic, with Brian messing around a bit with
tempos (all of them slow, much to the engineers dismay),
and even experimenting on the vocal line of "Surfer
Girl." There is little chatter, and not much fun
here. Everyone seems pensive, (or more likely
stoned) and it gives the sessions an eerie, dark
feeling. A haunting end to a otherwise joyous
set.
Unsurpassed
Masters Vol. 15 (1966) Good
Vibrations
Sea Of
Tunes C 9946/47/48 [CD]; Released 1999
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CD Features
Include:
- Over three hours of tracking
and vocal sessions for "Good
Vibrations"
To view complete track list click
here.
|
REVIEW: Spanning
seventy-two tracks and running over three hours, this is
undoubtedly the most agonizingly complete anthology
devoted to a single song ever put out. But
hey! It's for "Good Vibrations" which is probably
the most agonizingly produced single ever, so it's kind
of fitting, eh? Over the three discs you have take
after take of what Brian was obviously trying to beat
out of his brain, and having a hard time figuring out
what this song was supposed to be. One can imagine
that whatever Brian first heard in his head (probably
just a snippet of song) was not complete, which may be
why it took six months to eventually pound out onto
tape. The album is divided up into nine
"sessions" including rehearsals, improvisations,
various and sundry overdubs, and bits and pieces.
Since we know the actual sessions ran for over sixty
hours, this is still just a small piece of the Good
Vibrations puzzle, and it's impossible to get a
clear picture of how the song actually progressed, but
it's nice to hear Brian still in control and trying new
things in the studio. Whether you should spend
seventy-five dollars or more for this set is entirely
debatable. Most fans will find themselves
listening just once to it all, then hocking it on eBAY
for a tidy profit.
Unsurpassed Masters Vol. 16 (1966-1967)
Smile
Sea Of Tunes C 9949 [CD]; Released
1999
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All tracks are stereo, except *
indicated are mono.
1. Prayer
1:05
2. Heroes And Villains 2:55
*
3. Barnyard fake stereo
0:54
4. Do You Like Worms
4:04
5. The Old Master Painter /
You Are My Sunshine 1:10
6. He
Gives Speeches 0:54
7. Wonderful
2:05
8. Child Is Father Of The Man
1:52
9. Cabin Essence 3:30
10.
Look 2:39
11. Good Vibrations 3:39 *
12. I
Wanna Be Around / Friday Night 1:35
13.
Vega-Tables 3:27 *
14. Wind Chimes stereo/mono
2:26
15. Mrs. O'Leary's Cow 2:34
16. I Love
To Say Da Da (part 1) stereo/mono 2:24
17.
You're Welcome 1:05 *
18. Surf's Up stereo/mono
5:15
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REVIEW: The Sea Of Tunes
producers evidently felt the need to throw together
their version of Smile, even though they didn't
have access to the wealth of tapes that they did for
other sessions. So although their packaging is
attractive, with a thick booklet, the track line-up and
sound (many of the tracks of which they swiped from
other bootlegs, and also from "official" releases) are
no more remarkable than most other Smile
bootlegs, and the sequencing and questionable inclusion
of some tracks make this particular entry in the Sea Of
Tunes canon less desirable than other sets. That
said, it's nice to have this CD as it fills out the
3-CD box set of Smile sessions which they
released on the heels of this
one.
Unsurpassed
Masters Vol. 17 (1966-1967) Smile
Sessions
Sea Of Tunes C
9950/51/52 [CD]; Released 1999
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CD Features
Include:
- 19 takes of "Heroes and
Villains"
- 3 takes of "Bicycle
Rider"
- 6 takes of "Do You Like
Worms"
- 5 takes of "The Old Master
Painter/You Are My Sunshine"
- 3 takes of "He Gives
Speeches"
- 10 takes of "Wonderful"
- 3 takes of "Child Is Father Of
The Man"
- 5 takes of "Look"
- 26 takes of
"Vega-Tables"
- 9 takes of "Wind Chimes"
- 7 takes of Mrs O'Leary's
Cow"
- 3 takes of "Friday
Night"
- 6 takes of "Water"
- Vega-Tables Radio Spot
Rehearsals
To view complete track list click
here.
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REVIEW: The only
complaint for this set is what's not here.
A three-CD box that covers 13 tracks, the most noticable
absences are "Surf's Up," "Our Prayer," and
"Cabinessence," none of which are represented.
Also, Heroes and Villains gets short-shrifted in it's
representation, with parts one and two getting some
coverage, but much, much more is simply AWOL. But
enough complaining. Giving the fans far
more Smile than has ever been available
before, and in such good sound and layout (forget the
booklet, it's filled with errors and sloppy writing),
this is a collectors dream. Containing tracks for
"H&V", "Bicycle Rider," "Do You Like Worms," "The
Old Master Painter," "You Are My Sunshine," "He Gives
Speeches," "Wonderful," "Child is Father of the Man,"
"Look," "Vege-Tables" (the track with the most
representation), "Mrs. O'Leary's Cow," "Friday Night,"
and "Water," there are no 'lost' songs here, meaning
that all of the tracks have at least in part been on
other boots, but this collection simply has more of the
sessions that has ever been previously available.
There are no overt signs that Brian is near a state of
collapse, (although compared with previous sessions, he
appears more impatient, and more prone to change his
mind) and the sheer musical invention found here is
worth the cost of
acquisition.
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